
You can take the boy out of the grunge, but you can't etc. etc. Chris Cornell - one-time front man and songwriter for 1980s and '90s Seattle grunge-scene exemplars Soundgarden and later leading light of the hard-rocking Audioslave - may now be a mid-40s dad emoting on James Bond movie soundtracks, but he brought plenty of old-style Cornell to the Ottawa Civic Centre Saturday night.
And the modest crowd of 2000 loved him - once he got started that is, almost 45 minutes late (does he feed his lead-footed stage crew barbiturates?). That love overflowed because Cornell is a good performer - trim, fit and energetic - and because, at least early in the show, he was starting to dip smartly into his deep catalogue.
By press time, Cornell and his five-piece backing band had given us What You Are from his Audioslave days. They'd served up No Such Thing, the closest he gets to grunge on the new album which includes You Know My Name, Cornell's contribution to the James Bond film Casino Royale. And, to massive crowd approval, they howled through Soundgarden's Outshined and No Attention, both de rigeur tunes.
Cornell was also joined by Mat Joly, from the warm-up band Mobile, for a nicely tempered shot of Hunger Strike, from Cornell's days with the short-lived band Temple of the Dog,
And, of course, Cornell's storied multi-octave voice was in full flight on Saturday night.
The warm-up act, Mobile, was excellent. It should be no surprise that a Montreal band would rock, but these guys do their hometown proud. And speaking of proud, they did perform their chugging little tribute number Montreal Calling.
They've only been on the scene a couple of years, but their heady mix of everything from the Stones and U2 to glam rock and late 1960s soul - all of it diced and sliced into their recent, well-received sophomore album Tales From the City - went over well here.
True, it is an often-dark album, in part because some it was written after guitarist Christian "Criq" Brais' mother was diagnosed with cancer. But we were happy to hear the boys, led by Joly, digging wholeheartedly into it (do they do things any other way?), with intense servings of new tunes like No Tomorrow, Hit the Floor #7 and Gravity. Lots of nice sonic special effects, by the way, none of them overdone.
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